NY based Brazilian composer Joao MacDowell has a career that spans from electronic music to bossa nova to opera. The composer for ESPN soundtrack to the 2014 FIFA World Cup premiers his thid opera “Cries and Whispers,” in New York on March 26th 2015 at Scandinavia House and in June at Bergman Week, Fårö, Sweden. In 2014 the National Theater Orchestra (OSTNCS – Brasilia) premiered his Symphony No.1, conducted by Maestro Claudio Cohen. The documentary “Parece Que Existo” detailing aspects of his life and career won Best Feature Film and Best Soundtrack awards at the Brasilia Film Festival (2012). His second opera,”Plastic Flowers” (New York, 2012) has received two staged productions in Brazil (Vidigal, 2014 and Copacabana, 2015). Tamanduá -Tamanduá – his first opera (New York, 2008) was later staged at Montclair (NJ-2009) and New York (20014). It has received the Boston Metropolitan Opera Merit Award (BMO-2014).
Executive Director / Production Director
Athena Azevedo has produced with IBOC since our “Brazilian Opera” debut concerts in 2014, and was recently responsible for our “Cries and Whispers” concert premiere at Scandinavia House, NY, 2015. She also serves as the Treasurer of the IBOC Board. As a creative producer with a background in art exhibits, cinema and photography, Azevedo has managed projects and produced photo shoots with world-class photojournalists, portrait and fashion photographers such as James Nachtwey, Henry Leutwyler and Walter Chin. Before coming to IBOC, she has worked on development projects with non-profits and arts organizations such as the Berkeley Film Archive and Art Museum, The Mint Museum of SF, Burn Magazine, Vanderbilt Republic and the East Bay Center for Performing Arts. She also works as a producer at an award winning branding and graphic design agency, IF Studio. Athena Azevedo received her BA in “Cultural Construction and the Narrative Image” from the University of California, Berkeley and found her passion for Brazilian culture and arts during a year abroad program to Salvador da Bahia and Rio de Janeiro.
Athena Azevedo’s collaboration work with Designers Toshiaki and Hisa Ide from IF Studio NY to produce IBOC posters and brand identity has gained 7 international awards, since 2014.
Stage Manager, Director. Jonathan Arak Directed the World Premiere of TRAVELS with Opera Roanoke, as well as their production of SWEENEY TODD. Mr. Arak also directed the European Premiere of Neil Simon’s BILOXI BLUES (in Limerick, Ireland). In New York he helmed JOHNNY PYE AND THE FOOLKILLER with The Harold Prince Musical Theatre Program. At The Warner Center for the Performing Arts, in Ohio, he directed AMADEUS, AS IS, AMERICAN BUFFALO, and COMPANY. He spent two seasons in Los Angeles where he worked on the sets of FRASIER, THIRD ROCK FROM THE SUN, NEWSRADIO, and HOME IMPROVEMENT. Prior to his time on the west coast he assisted Harold Prince for six years, on such productions as New York City Opera’s DON GIOVANNI, KISS OF THE SPIDERWOMAN, and the World Premiere of GRANDCHILD OF KINGS. He graduated Oberlin College with Honors in Theatre and is a recipient of a Revson Foundation Directing Fellowship.
Master of Ceremonies, Editor and Public Relations Director. A founding member and Secretary of the IBOC Board, Christina Morgan has been a professional writer and editor for over ten years. She has worked at some of the world’s most prestigious publishing houses including HarperCollins and Houghton Mifflin Harcourt where she was privileged to work with some of the world’s most renowned authors including Umberto Eco, Jose Saramago, Alice Walker and others. She is a graduate of Oberlin College and a lifelong classical music enthusiast.
Sandra Barreto – Grant Administrator
Sandra Barreto has been working with IBOC since April, 2015, where she researches, organizes and applies for grants that fit to the goals of the company. Barreto is a Brazilian lawyer, with Master degree from Italy, focused on arts and copyrights. Before starting to work at IBOC, she worked as an international lawyer, with knowledge in agreements and corporate documents, using her skills in languages, Portuguese, Italian, English, German, French a and Spanish to fulfill her clients needs.
Rafaela Martins – Public Relations
Laís de Azeredo Rodrigues
Executive Director – Rio de Janeiro
Lais works since 2007 with cinema and audiovisual content for operas, concerts and ballets. Degree in journalism, with extension in History of Art and Architecture, both in PUC-RJ, she mades movies, between documentary film and fiction as director, screenwriter, researcher, and editor. Led the research of the movies: Copacabana, by Carla Camurati, O Bem Amado, by Guel Arraes, and Tempos de Paz, by Daniel Filho, among others.
Integrated the team of Darcy Ribeiro in the implementation of the Distance Education Project in Brazil and, as a consultant at United Nations, of implementation of the TV Escola. In 2003, at the Mostra Brasil 40º, in London, was curator of segment Brazilian Cinema. Participated in the digital restauration of Joaquim Pedro de Andrade’s movies.
Since 1999, with the opera Madame Butterfly, in Municipal Theatre of São Paulo, begins to make projections on scenarios, also participating Rita’s scenario, by Donizetti, in the Winter Festival of Campos do Jordão. Even with Carla Camurati, makes projections in assemblies of Romeo and Juliet, Tosca, Carmen (concert version), The Makropulos Affair (Janácek) and The Seven Deadly Sins/The Fly of Lindberg (of the double Kurt Weill and Bertold Brecht), all in Municipal Theatro Municipal of the Rio de Janeiro, where also signed opera Aida’s videos, with scenography of Hélio Eichbauer.
Lately, documented exposure War and Peace for the Portinari Project, mades the images projected on the scenario of Hélio Eichbauer, in Zii e Zie show, of Caetano Veloso, participated in the realization of the videos for the comemorative concert of the 40 years of Aquarius Project, at the beach of Copacabana, beyond the creation of virtual scenarios for the play Timon of Athens, Shakespeare, in theaters in Rio de Janeiro.
Assistant Conductor at The Opera Company of Brooklyn, he has recently completed his Master’s Degree in Conducting at Bard College, under the guidance of Harold Farberman and Leon Botstein. At Bard, Mr. Aníbal spent the 2012 Fall season as Assistant Conductor of Bard College Orchestra and Bard Conservatory Orchestra. He was also a conducting fellow for three consecutive times at the Conductor’s Institute. In 2012, he performed Harold Farberman’s contemporary Opera, Diamond Street. As Assistant Conductor of The Opera Company of Brooklyn, he has been rehearsing and assisting Opera productions such as Cosi fan tutti, and Il Barbiere di Siviglia. In 2009, Mr. Aníbal was invited to conduct the Orquestra Experimental de Repertorio of Sao Paulo, where he led a concert in celebration of the 456th Anniversary of the city. Among other orchestras that he has conducted are: Cincinnati College Conservatory Orchestra (U.S.), St. Petersburg Chamber Orchestra (Russia), Orquestra Sinfonica do Festival de Londrina (Brazil). In 2009, he received his Bachelor’s Degree from FMU-Sao Paulo in Choir Conducting, while working as a tenor and Assistant Conductor at Colegium Musicum Choir of Sao Paulo. In 2008, Alan was awarded with the position of Conductor Fellow at the Sao Paulo Municipal School, where he was assistant conductor of the Sao Paulo Youth Orchestra and the Sao Paulo Youth Choir. He has also performed as a tenor in several theaters of Brazil. As a composer, Mr. Aníbal studied with Mr. Laurence Wallach and presented his compositions during the 2011′s and 2012’s season at the Olin Hall, Annandale-on-Hudson, NY.
Electroacoustic musician and sound designer Luigi Porto comes straight from Italian cinema.
As an arranger and composer he has been publishing albums with Italian bands and experimental ensembles; he also scored films and documentaries.
As a sound designer Luigi Porto did the sound for several feature films, some of them recipient of the most important Italian awards (Nastro D’argento, David di Donatello) and screened at the most important European festivals (Turin, Venice, Rome, Cannes, BAFTA and an Academy Awards BFF selection). Luigi had solo and collective exhibitions as a sound and multimedia artist.
Miss Filipe is a Portuguese Soprano residing in NYC. In New York City she collaborated with the multimedia project “The Lumiphonic Creature Choir” by Australian Artist Mark Bolotin, she premiered the opera “Something to live for” by composer Ronnie Reshef, sang with the New York Lyric Opera, Brooklyn Opera and the New Ohio Theatre. She was also the assistant producer for the opera “Plastic Flowers” by the composer João MacDowell.
Miss Filipe has been a soloist in several modern premieres of Portuguese Baroque Music with the Sintra Opera Studio (SEO) in Portugal, since 2004 performing several times at the international Music and Dance Festival in Sintra as well as other Venues. She also debuted as a composer in children´s music, writing all the original songs for the concert for babies that has been showing at the “oceanário de Lisboa” since 2004, in Portugal. She also wrote original vocal pieces for the premiere of the Play UBU, at the New Ohio Theater in New York City.
Alexandra owns an MM in Performance Studies from Petrie School of Music, Converse College, a BM in Voice, Escola Superior de Música de Lisboa and a BS in Psychology, University of Lisbon. She was Winner of the NATS Competition in South Carolina 2011 and of the Young Artist Concerto Competition at Petrie School of Music in 2010. She is also member of the Pi Kappa Lambda Music Honor Society.
MA in composition at NYU. Up and coming Brazilian composer and conductor, has had his orchestral music performed in Europe, Brazil and the USA.
Praised by The New York Times as a singer of “solid and youthful” tone, Ms. Powell has prolific experience on both operatic and world recital stages. Lauded by the likes of renown singers Leontyne Price, Phyllis Curtin, and Marilyn Horne, as well as conductor James Conlon, Ms. Powell graduated from The Julliard School in New York City with a Master of Music in Voice.
Ms. Powell has been the recipient of numerous awards, including The Rise Stevens Award, G. & M. Grunin Prize for Music, and The Aspen Music Festival Voice Competition. Additionally, Ms. Powell was awarded The Maxwell H. Gluck Community Fellowship Scholarship, which enabled her to organize and perform outreach concerts in the greater New York City area. Abby Powell currently resides in New York City and she is committed to championing new works.
Communication Director – Italy
Masters in Music from University of Rio de Janeiro (2008) and BA in piano at UFRJ (1989). Mezzo soprano under contract with the Municipal Theater of Rio de Janeiro between 2008/2013. Clarice was debut as Santuzza in “Cavalleria Rusticana” (2014) and performs regularly and has toured Brazil extensively, with shows such as “A Palavra Cantada de Manuel Bandeira” (by yours thesis), “Carmen” (by Bizet), “ El amor Brujo” (Manuel de Falla) , as well as, in the opera “Magdalena” , the oratory “Vida Pura” ( both by Villa-Lobos) and “Missa de São Nicolau” (by Almeida Prado). Clarice has performed with full orchestra in a number of concert with conductors such as Ricardo Rocha, Roberto Duarte, Luis Gustavo Petri and Silvio Viegas.
Conductor – Chorus Director
Maria Ines Moraes
Communications and Special Events
Brazilian born musician and producer, Joana has extensive experience in large rock and pop concerts both as stage producer as well as a bass player, notably with the band “Tipo Uisque,” touring extensively in Brazil, Europe and the USA. Since moving to New York in 2014 Joana has been collaborating with Joao MacDowell, as assistent producer for “Cries and Whispers” opera concerts (Scandinavia House – March 2015), also as audio engineer, vocal editor and studio manager at Come Together Music.
Video Content Production
Chair of Contemporary Sculpture at the Federal University of Rio de Janeiro (UFRJ). Videoartist responsible for the projections at the Theatro Municipal Rio de Janeiro, possibly the most prestigious opera company in Brazil.
A contemporary intermedia artist, Daniel Belquer works internationally to blur the temporal frontiers once bounding classic artistic genres from emerging technologies. Daniel has worked as an artist, Max/MSP programmer, designer, technician, composer, teacher, project manager and as experimental theater director. Wearing several hats has kept him engaged in the technical as well as artistic aspects of his installations and theatrical works, incorporating the DIY spirit into his work ethos. Since 1999 Daniel has collaborated and assisted over 2,000 students in music, performance art, acting and programming workshops. He lives and works in New York City, where he’s the Head of the Creative Team at Harvestworks Digital Media Arts Center and founder of Harvestworks’ International Art Collective(HIAC). He has recently presented his projects at Prague Quadrennial (Czech Republic), Pasinger Fabrik (Munich), SESC Copacabana (Rio de Janeiro), Agora Arts Center (Berlin), Harvestworks, 3 Legged Dog, The Dark Circuits Festival, Firehouse Gallery, Emily Harvey Gallery, Parsons School of Design, Transfer Gallery, Maker Faire, Spectrum and Hyphen Hub.
Hailed by the NY Times as a pianist with “a graceful touch, rhythmic precision (and) hypnotic charm,” Han Chen is a distinctive artist whose credentials at a young age already include important prizes in competitions of traditional music as well as increasing respect in the avant-garde.
Mr. Chen has won numerous top prizes in competitions, such as National Piano Competition in China, International Russian Music Piano Competition, Hong Kong International Piano Competition, among others. Han Chen studies at the Juilliard School of Music with Professor Yoheved Kaplinsky.
Visual artist. Responsible for a weekly column at Brazilian newspaper Folha de Sao Paulo and for the Brazilian themed decoration of the Macy’s Store. (2011)