Athena Azevedo – Executive Director of IBOC – interviews Marcello Dantas – visual curator for the Amazon Concert by the Sao Paulo State Symphonic Orchestra, this October 15th at Carnegie hall, NYC. More info: https://www.iboc.nyc/saopaulostatesymphonyorchestra The São Paulo State Symphony Orchestra – OSESP will perform four concerts in the United States on its first […]
iboc.nyc the International Brazilian Opera Company is a leader in developing underrepresented voices in opera. We were founded in 2013 with the mission to develop a new repertoire by combining the work of artists across perceived borders. Join us for our end-of-year initiatives and donate to support our exciting new works […]
Transeuntis Mundi Project (TMP) – the work that resident composer and Brazilian artist Cândida Borges and Colombian artist Gabriel Mario Vélez develop in partnership with IBOC – just completed its 8th international festival this year – celebrating 2 years of history! In 2021, they were selected to perform in festivals across the UK, US, Colombia, Greece, […]
IBOC is thrilled to announce the launch of the transmedia work “Web Derive 01” by Transeuntis Mundi Project. Our resident composer Cândida Borges is the co-author of this work along with Colombian artist Gabriel Mário Velez. The word is developed in our Music and Technology series of studies. The exhibition is sponsored by the Cultural […]
In-Depth: Artist and Professor Robert Fraher Reflects on his Work in Brazil Featured artist Robert Fraher was a resident artist in the IBOC Brasilia program. Check article about Residency in The Rio Times. In the words of the artist: During my ten-day artist residency with the International Brazilian Opera Company, I enjoyed […]
Bengt Gomér, just received a rave review in The New York Times for directing Bluebeard and Erwartung with the New York Philharmonic, by “the fearful” Anthony Tommasini: “Every aspect of the program was impressive” Bengt Gomér has been a long time IBOC collaborator and the dramaturge for The Seventh Seal, an opera by João MacDowell, […]
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